Home	Shopping Cart		Contact	Search

Zoot Suit Riot
Concert Band Music Marching/Pep Band Music Jazz Band Music Small Ensemble Music    Pop & Rock    TV & Movie    Jazz    Novelty    Classical and Orchestral    Holiday    Sacred    Concert and Contest By Difficulty    1, 2, 3, 4, 5, 6 Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. Zoot Suit Riot Zoot Suit Riot (Full Score) Item number 8899490CC, $5.95 Zoot Suit Riot - Concert Band Item number 8899491CC, $55.95 Cherry Poppin' Daddies' big swing hit is at the center of the jump/swing/dance craze that has dominated the air waves, school dances, and dance clubs. Your concert band can swing with the best of them with this John Moss toe-tappin' arrangement of "Zoot Suit Riot". Technical Notes: The 1st percussion part is written for a drum set. The 2nd percussion part is written for cowbell, triangle, suspended cymbal and woodblock. The xylophone/bells part is labeled as "mallet percussion" in the score. Composer(s): This piece was composed by Steve Perry. Arranger(s): This piece was arranged by John Moss. Publisher: This piece was published by Hal Leonard Corporation. Series: This piece is part of the series "Hal Leonard Concert Band Series".    This product has a difficulty rating of 3 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets. How to purchase this item: To purchase "Zoot Suit Riot", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax. Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges. Other Images: Front Cover Front Cover Image 1  (400kb) Conductor Score Conductor Score Page 1  (185kb) Conductor Score Page 2  (209kb) Conductor Score Page 3  (195kb) Conductor Score Page 4  (328kb) Instrumentation Instrumentation Page 1  (90kb) Parts Included: 1 - Full Score 4 - 1st Flute 4 - 2nd Flute 2 - Oboe 2 - Bassoon 4 - 1st B Flat Clarinet 4 - 2nd B Flat Clarinet 4 - 3rd B Flat Clarinet 1 - E Flat Alto Clarinet 2 - B Flat Bass Clarinet 2 - 1st E Flat Alto Saxophone 2 - 2nd E Flat Alto Saxophone 2 - B Flat Tenor Saxophone 1 - E Flat Baritone Saxophone 3 - 1st B Flat Trumpet 3 - 2nd B Flat Trumpet 3 - 3rd B Flat Trumpet 2 - 1st Horn In F 2 - 2nd Horn In F 3 - 1st Trombone 3 - 2nd Trombone 2 - Baritone T.C. 2 - Baritone B.C. 4 - Tuba 1 - String Bass 2 - Keyboard Percussion 2 - 1st Percussion 2 - 2nd Percussion 1 - Timpani	Quick Search Manage My Account Log In (Optional) Track An Order Free Downloads Make An Account Related Band Products Paul Murtha - Don't Stop Believin' (From "Glee") Don't Stop Believin' (Featured In The Twentieth Century Fox Television Series "Glee") Zoot Suit Riot - Saxophone Quartet Or Saxophone Ensemble More ... Related Karaoke CD Products Paul Murtha - Don't Stop Believin' (From "Glee") Don't Stop Believin' (Featured In The Twentieth Century Fox Television Series "Glee") Zoot Suit Riot - Saxophone Quartet Or Saxophone Ensemble More ...

Another product you might enjoy...

Sketches On A Tudor Psalm - Concert Band Item number 8897255CC Regular Price: $137.95, Our Price: $82.77 You will save $55.18 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

PianoSpot.com, FluteSpot.com, ClarinetSpot.com, SaxSpot.com, TrumpetSpot.com, TromboneSpot.com, BassoonSpot.com OboeSpot.com, HornSpot.com, ViolinSpot.com, DrumSpot.com, GuitarSpot.com, HarmonicaSpot.com, RecorderSpot.com DulcimerSpot.com, VocalSpot.com, KaraokeSpot.com, AudioCDSpot.com, MusicGiftSpot.com, BandSpot.com Copyright © 2012 Folkcraft Instruments, Inc.