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Christmas On Broadway

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Christmas On Broadway
Christmas On Broadway (Full Score)
Item number 8894956CC, $16.95
Christmas On Broadway
Item number 8894957CC, $66.95

John Higgins has taken seven popular Christmas titles and blended them all into this one wonderful piece. He has added some beautiful counter-melodies and fun percussion parts to these traditional songs, making them the perfect way to start or end any holiday concert. The work has options for parts for choir and strings. You may take this opportunity to invite your audience members to join in the holiday fun and sing along! Bring great holiday music to your concert this year by placing this item in your shopping cart today!

Product Format: Concert Band

Technical Notes: The percussion 1 part is for drum set. The percussion 2 part is for sleigh bells, suspended cymbal, sandpaper blocks, wood block, mark tree, crash cymbal, temple blocks, and shaker. The mallet percussion part is for chimes, bells, xylophone, and vibes.

Arranger(s): This piece was arranged by John Higgins.

Publisher: This piece was published by Hal Leonard Corporation.

Series: This piece is part of the series "Hal Leonard Concert Band Series".

   This product has a difficulty rating of 3 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets.
How to purchase this item: To purchase "Christmas On Broadway", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax.

Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges.
Other Images:
Front Cover
Front Cover Image 1
 (202kb)
Conductor Score
Conductor Score Page 1
 (242kb)
Conductor Score Page 2
 (219kb)
Conductor Score Page 3
 (244kb)
Conductor Score Page 4
 (219kb)
Instrumentation
Instrumentation Page 1
 (165kb)
Parts Included:
1-Full Score
1-Piccolo in C
8-Flute
2-Oboe
2-Bassoon
4-1st B Flat Clarinet
4-2nd B Flat Clarinet
4-3rd B Flat Clarinet
1-E Flat Alto Clarinet
2-B Flat Bass Clarinet
2-1st E Flat Alto Saxophone
2-2nd E Flat Alto Saxophone
2-B Flat Tenor Saxophone
1-E Flat Baritone Saxophone
3-1st B Flat Trumpet
3-2nd B Flat Trumpet
3-3rd B Flat Trumpet
2-1st Horn In F
2-2nd Horn In F
3-1st Trombone
3-2nd Trombone
2-Baritone T.C.
2-Baritone B.C.
4-Tuba
1-String Bass
2-Mallet Percussion
2-1st Percussion
2-2nd Percussion
1-Timpani


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Complete song list for "Christmas On Broadway" - Band Set Sheet Music:

It's Beginning To Look Like Christmas - Composer: Meredith Willson - From: "Here's Love" - ©1951
Pine Cones And Holly Berries - Composer: Meredith Willson - From: "Here's Love" - ©1963
Toyland - Composer: Glen MacDonough and Victor Herbert - From: "Babes In Toyland" - ©2006
March Of The Toys - Composer: Victor Herbert - From: "Babes In Toyland" - ©2006
My Favorite Things - Composer: Oscar Hammerstein II and Richard Rodgers - From: "The Sound Of Music" - ©1959
We Need A Little Christmas - Composer: Jerry Herman - From: "Mame" - ©1966
God Bless Us Everyone - Composer: Alan Menken and Lynn Ahrens - From: "A Christmas Carol" - ©1994


 
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This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor.

"Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910.

The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

 
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