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Linden Lea
Concert Band Music Marching/Pep Band Music    Classical & Orchestral    Jazz    Marches    Movie, TV & Broadway    Novelty    Overtures    Patriotic    Pop & Rock    Sacred    Concert and Contest By Difficulty    1, 2, 3, 4, 5, 6 Jazz Band Music Small Ensemble Music Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. Linden Lea Linden Lea (Full Score) Item number 8897328CC, $6.95 Linden Lea - Concert Band Item number 8897329CC, $45.95 Linden Lea is a straightforward adaptation of the famous song by Ralph Vaughan Williams. The song is especially familiar in Britain, where the melody is known in virtually every household. Varied instrumental color and slight tempo changes are utilized to heighten the emotional appeal of this attractive melody. Estimated Performance Time: 2:45 Technical Notes: The Suspended Cymbal & Bells part is labeled "Suspended Cymbal, Bells & Chimes". Performance Suggestions: In the opening, adhere strictly to the tempo indication - Andante con moto (quarter note equals 96); do not be lulled into taking too slow a tempo. The notes must be connected, as though they were being sung. Phrasing is indicated by the many breath marks throughout, and a slight pause should be observed between phrases, these being the only places where the players may take breaths. Beginning with the brass entrance in measure 37, the tempo increases to approximately a quarter note equaling 104. In this section, alter the character slightly by making the notes a little less connected. The opening style returns in measure 46, and here make certain that the eighth notes in the brass and low woodwinds are played tenuto. The rallentando in measure 52 lasts for two measures. In the last four measures, do not slow the tempo any further, and bring out the instruments which have moving lines. Composer(s): This piece was composed by Ralph Vaughan Williams. Arranger(s): This piece was arranged by John W. Stout. Publisher: This piece was published by Boosey & Hawkes.    This product has a difficulty rating of 2 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets. How to purchase this item: To purchase "Linden Lea", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail, fax or phone. Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges. Other Images: Front Cover Front Cover Image 1  (400kb) Conductor Score Conductor Score Page 1  (244kb) Conductor Score Page 2  (234kb) Instrumentation Instrumentation Page 1  (71kb) Descriptive Page Descriptive Page 1  (91kb) Parts Included: 1 - Full Score 6 - Flute 2 - Oboe 2 - Bassoon 4 - 1st B Flat Clarinet 4 - 2nd B Flat Clarinet 4 - 3rd B Flat Clarinet 2 - E Flat Alto Clarinet 2 - B Flat Bass Clarinet 2 - 1st E Flat Alto Saxophone 2 - 2nd E Flat Alto Saxophone 2 - B Flat Tenor Saxophone 2 - E Flat Baritone Saxophone 3 - 1st B Flat Cornet 3 - 2nd B Flat Cornet 3 - 3rd B Flat Cornet 2 - 1st & 2nd Horn In F 2 - 1st Trombone 2 - 2nd Trombone 2 - 3rd Trombone 1 - Baritone T.C. 1 - Baritone B.C. 4 - Tuba 1 - String Bass 2 - Bells / Suspended Cymbal 1 - Timpani	Quick Search Manage My Account Log In (Optional) Track An Order Gift Certificates Free Downloads Make An Account Related Band Products Variations For Wind Band Sea Songs Toccata Marziale More ... Related Audio CD Products Variations For Wind Band Sea Songs Toccata Marziale More ...

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Sketches On A Tudor Psalm - Concert Band Item number 8897255CC, $125.00 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

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