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Breaking Free
Concert Band Music Marching/Pep Band Music    Classical & Orchestral    Jazz    Marches    Movie, TV & Broadway    Novelty    Overtures    Patriotic    Pop & Rock    Sacred    Concert and Contest By Difficulty    1, 2, 3, 4, 5, 6 Jazz Band Music Small Ensemble Music Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. Breaking Free Breaking Free (Full Score) Item number 8893939CC, $5.00 Breaking Free Item number 8893940CC, $45.00 From the very first High School Musical from the Disney Channel, here's one of the familiar hits that helped launch a national phenomenon. Utilizing a nice variety in dynamics as well as hard-hitting ensemble passages, this arrangement will sound great and speak to today's students.   Category: Band/Orchestra/Ensemble Series: Easy Contemporary Marching Band Voicing: Score & Parts Composer: Jamie Houston Arranger: Michael Brown Band Difficulty: 2-3 Product Format: Marching / Pep Band Technical Notes: The baritone saxophone, B flat horn/flugelhorn, electric bass and auxiliary percussion parts are optional. The baritone B.C. part may be played as a trombone 2 part. Composer(s): This piece was composed by Jamie Houston. Arranger(s): This piece was arranged by Michael Brown. Publisher: This piece was published by Hal Leonard Corporation. Series: This piece is part of the series "Hal Leonard Easy Contemporary Marching Band Series".    This product has a difficulty rating of 3 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets. How to purchase this item: To purchase "Breaking Free", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail, fax or phone. Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges. Other Images: Front Cover Front Cover Image 1  (304kb) Conductor Score Conductor Score Page 1  (188kb) Conductor Score Page 2  (174kb) Conductor Score Page 3  (184kb) Instrumentation Instrumentation Page 1  (69kb) Parts Included: 1 - Full Score 16 - Flute/Piccolo 16 - B Flat Clarinet 8 - E Flat Alto Saxophone 4 - B Flat Tenor Saxophone 2 - E Flat Baritone Saxophone 8 - 1st B Flat Trumpet 8 - 2nd B Flat Trumpet 8 - 3rd B Flat Trumpet 4 - B Flat Horn/Flugelhorn 8 - French Horn 8 - Trombone 4 - Baritone T.C. 8 - Baritone B.C. 8 - Tuba 2 - Electric Bass 4 - Xylophone & Bells 8 - Snare Drum 4 - Quad Toms 4 - Multiple Bass Drums 4 - Cymbals 2 - Auxiliary Percussion	Quick Search Manage My Account Log In (Optional) Track An Order Gift Certificates Free Downloads Make An Account Related Band Products You Are The Music In Me Breaking Free You Are The Music In Me More ... Related Audio CD Products You Are The Music In Me Breaking Free You Are The Music In Me Related Karaoke CD Products You Are The Music In Me Breaking Free You Are The Music In Me More ...

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Sketches On A Tudor Psalm - Concert Band Item number 8897255CC, $125.00 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

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