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One Hand, One Heart/America
Concert Band Music Marching/Pep Band Music Jazz Band Music    Holiday    Jazz    Marches    Movie, TV & Broadway    Novelty    Patriotic    Pop & Rock    Warm-ups & Exercises By Difficulty    1, 2, 3, 4, 5, 6 Small Ensemble Music Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. One Hand, One Heart/America One Hand, One Heart/America From "West Side Story" (Full Score) Item number 8896693CC, $2.50 One Hand, One Heart/America (From "West Side Story") - Marching Band Item number 8896694CC, $50.00 "One Hand One Heart/America" will allow you to feature all of your sections and show off with a strong sound! From the Broadway musical "West Side Story", "One Hand, One Heart" will feature your woodwinds and brass with lots of beautiful movement and harmony. When it fades into "America" it is time for your percussion to shine! This is a wonderful production number that is sure to stand out above the rest! Technical Notes: The E Flat baritone sax, B Flat horn/flugelhorn, electric bass and auxiliary percussion parts are optional. The baritone B.C. part can be used as an optional 2nd trombone part. The multiple bass drums part is written for 4 bass drums. The mallet percussion 1 part is for bells and vibes. The mallet percussion 2 part is for xylophone and marimba. Composer(s): This piece was composed by Leonard Bernstein and Stephen Sondheim. Arranger(s): This piece was arranged by Will Rapp and Jay Bocook. Publisher: This piece was published by Boosey & Hawkes. Series: This piece is part of the series "Hal Leonard Esprit Series".    This product has a difficulty rating of 2-3 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets. How to purchase this item: To purchase "One Hand, One Heart/America", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail, fax or phone. Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges. Other Images: Front Cover Front Cover Image 1  (315kb) Conductor Score Conductor Score Page 1  (188kb) Conductor Score Page 2  (168kb) Conductor Score Page 3  (160kb) Instrumentation Instrumentation Page 1  (63kb) Parts Included: 1 - Full Score 16 - Flute/Piccolo 16 - B Flat Clarinet 8 - E Flat Alto Saxophone 4 - B Flat Tenor Saxophone 2 - E Flat Baritone Saxophone 8 - 1st B Flat Trumpet 8 - 2nd B Flat Trumpet 4 - B Flat Horn/Flugelhorn 8 - French Horn 8 - Trombone 4 - Baritone T.C. 8 - Baritone B.C. 6 - Tuba 2 - Electric Bass 2 - Mallet Percussion 1 2 - Mallet Percussion 2 6 - Snare Drum 2 - Quad Toms 4 - Multiple Bass Drums 2 - Cymbals 2 - Auxiliary Percussion	Quick Search Manage My Account Log In (Optional) Track An Order Gift Certificates Free Downloads Make An Account Related Band Products Music From "West Side Story" One Hand, One Heart/America West Side Story - Finale More ... Related Audio CD Products Music From "West Side Story" One Hand, One Heart/America West Side Story - Finale More ... Related Karaoke CD Products Music From "West Side Story" One Hand, One Heart/America West Side Story - Finale More ...

Complete song list for "One Hand, One Heart/America" - Band Set Sheet Music:

One Hand, One Heart - Composer: Stephen Sondheim and Leonard Bernstein America - Composer: Stephen Sondheim and Leonard Bernstein

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Sketches On A Tudor Psalm - Concert Band Item number 8897255CC, $125.00 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

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