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Music Of Fisher Tull: A Celebration!

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Music Of Fisher Tull: A Celebration!



Item number 8913946CC
Regular Price: $26.95, Our Price: $16.17
You will save $10.78

Composer(s): This piece was composed by Fisher Tull.

Publisher: This piece was published by Southern Music Company.

How to purchase this item: To purchase "Music Of Fisher Tull: A Celebration!", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax.

Return Policy: This product may be returned, unopened, within 30 days of purchase for a full refund, excluding shipping charges.


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Music Of Fisher Tull: A Celebration!

Sketches On A Tudor Psalm

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Music Of Fisher Tull: A Celebration!

Sketches On A Tudor Psalm

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Complete song list for "Music Of Fisher Tull: A Celebration!" - Audio CD:

1. The Final Covenant - Composer: Fisher Tull
2. Trio Sonata - Composer: Fisher Tull
3. Colloquy For Saxophone And Percussion - Composer: Fisher Tull
4. Concertino For Oboe And Strings - Composer: Fisher Tull
5. A Passing Fantasy - Composer: Fisher Tull
6. Missa Brevis For Chorus And Two Percussion - Composer: Fisher Tull


 
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Sketches On A Tudor Psalm
Sketches On A Tudor Psalm - Concert Band
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This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor.

"Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910.

The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

 
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