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Keely Smith - Swing, Swing, Swing
Concert Band Music    Classical & Orchestral    Concert & Contest    Holiday    Jazz    Marches    Movie, TV & Broadway    Novelty    Overtures    Patriotic    Pop & Rock    Sacred    Warm-ups & Exercises By Difficulty    1, 2, 3, 4, 5, 6 Marching/Pep Band Music Jazz Band Music Small Ensemble Music Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. Keely Smith - Swing, Swing, Swing Item number 8910440CC Regular Price: $28.95, Our Price: $17.37 You will save $11.58 When you hear a song like "When You're Smiling/The Sheik Of Araby" on the radio, you can't help but want to hear more songs like it. Keely Smith has released "Swing, Swing, Swing" for your listening pleasure. With 15 tracks, as well as a 10-page booklet, "Swing, Swing, Swing" is sure to become one of your new favorites. Add this CD to your collection today! How to purchase this item: To purchase "Keely Smith - Swing, Swing, Swing", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax. Return Policy: This product may be returned, unopened, within 30 days of purchase for a full refund, excluding shipping charges.	Quick Search Manage My Account Log In (Optional) Track An Order Free Downloads Make An Account Related Band Products Favorite Classics - Brass Quintet The Canadian Brass - 14 Collected Intermediate Quintets Related Audio CD Products Favorite Classics - Brass Quintet The Canadian Brass - 14 Collected Intermediate Quintets Related Karaoke CD Products Favorite Classics - Brass Quintet The Canadian Brass - 14 Collected Intermediate Quintets More ...

Complete song list for "Keely Smith - Swing, Swing, Swing" - Audio CD:

1. When You're Smiling/The Sheik Of Araby - Performer: Keely Smith - Track Length: 1:40 2. Let The Good Times Roll - Performer: Keely Smith - Track Length: 2:52 3. Oh Louie - Performer: Keely Smith - Track Length: 2:24 4. Kansas City - Performer: Keely Smith - Track Length: 3:15 5. Jim, Jive An'Wail - Performer: Keely Smith - Track Length: 2:59 6. Keely's Boogie - Performer: Keely Smith - Track Length: 2:34 7. Yeah, Yeah, Yeah - Performer: Keely Smith - Track Length: 2:17 8. Swing, Swing, Swing - Performer: Keely Smith - Track Length: 3:00 9. Yata Hei - Performer: Keely Smith - Track Length: 3:50 10. I Can't Believe That You're In Love With Me - Performer: Keely Smith - Track Length: 2:47 11. Palm Springs Jump - Performer: Keely Smith - Track Length: 2:30 12. House Party Tonight - Performer: Keely Smith - Track Length: 2:46 13. On The Sunny Side Of The Street - Performer: Keely Smith - Track Length: 3:09 14. Giddy Up Ding Dong - Performer: Keely Smith - Track Length: 2:08 15. Robin Hood/Oh Babe - Performer: Keely Smith - Track Length: 3:44

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Sketches On A Tudor Psalm - Concert Band Item number 8897255CC Regular Price: $137.95, Our Price: $82.77 You will save $55.18 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

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