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The Christmas Song
Concert Band Music Marching/Pep Band Music Jazz Band Music Small Ensemble Music Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. The Christmas Song The Christmas Song Chestnuts Roasting On An Open Fire (Full Score) Item number 8899070CC, $5.95 The Christmas Song (Chestnuts Roasting On An Open Fire) - Concert Band Item number 8899072CC, $60.95 "Chestnuts Roasting On An Open Fire" - let your group shine with this holiday favorite. The sentimental melody and outstanding arrangement (by the talented John Higgins) will make this a sure winner for your next program. Estimated Performance Time: 4:00 Technical Notes: The percussion 1 part contains the drum set part. The percussion 2 part contains the suspended cymbal, bell tree, triangle, sleigh bells, and woodblock parts. The keyboard percussion part is labeled "Mallet Percussion" and contains the bell and chime parts. Composer(s): This piece was composed by Robert Wells and Mel Torme. Arranger(s): This piece was arranged by John Higgins. Publisher: This piece was published by MPL Communications. Series: This piece is part of the series "Jenson Young Band Series".    This product has been chosen as a Director's Choice by our staff of instructors.    This product has a difficulty rating of 3 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets. How to purchase this item: To purchase "The Christmas Song", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax. Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges. Other Images: Front Cover Front Cover Image 1  (378kb) Conductor Score Conductor Score Page 1  (800kb) Conductor Score Page 2  (800kb) Conductor Score Page 3  (368kb) Conductor Score Page 4  (348kb) Instrumentation Instrumentation Page 1  (800kb) Parts Included: 1 - Full Score 8 - Flute 2 - Oboe 2 - Bassoon 4 - 1st B Flat Clarinet 4 - 2nd B Flat Clarinet 4 - 3rd B Flat Clarinet 1 - E Flat Alto Clarinet 2 - B Flat Bass Clarinet 2 - 1st E Flat Alto Saxophone 2 - 2nd E Flat Alto Saxophone 2 - B Flat Tenor Saxophone 1 - E Flat Baritone Saxophone 3 - 1st B Flat Trumpet 3 - 2nd B Flat Trumpet 3 - 3rd B Flat Trumpet 2 - 1st Horn In F 2 - 2nd Horn In F 3 - 1st Trombone 3 - 2nd Trombone 2 - Baritone T.C. 2 - Baritone B.C. 4 - Tuba 1 - String Bass 2 - Keyboard Percussion 2 - 1st Percussion 3 - 2nd Percussion 1 - Timpani	Quick Search Manage My Account Log In (Optional) Track An Order Free Downloads Make An Account Related Band Products The Christmas Song The Christmas Song The Christmas Song (Chestnuts Roasting On An Open Fire) More ... Related Audio CD Products The Christmas Song The Christmas Song The Christmas Song (Chestnuts Roasting On An Open Fire) More ... Related Karaoke CD Products The Christmas Song The Christmas Song The Christmas Song (Chestnuts Roasting On An Open Fire) More ...

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Sketches On A Tudor Psalm - Concert Band Item number 8897255CC Regular Price: $137.95, Our Price: $82.77 You will save $55.18 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

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