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Duke Ellington In Concert
Concert Band Music Marching/Pep Band Music Jazz Band Music Small Ensemble Music Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. Duke Ellington In Concert Duke Ellington In Concert (Full Score) Item number 8896996CC, $7.50 Duke Ellington In Concert - Concert Band Item number 8896997CC, $60.00 The music of the Duke Ellington Orchestra helped define the role of jazz in America. Here is a swingin' medley for young bands including the memorable titles "Take The A Train", "Don't Get Around Much Anymore", "Caravan", "Mood Indigo" and "It Don't Mean A Thing (If It Ain't Got That Swing)". Estimated Performance Time: 4:45 Technical Notes: The 1st percussion part is labeled "Percussion 1 (Drum Set)". The 2nd percussion part is labeled "Percussion 2 (Suspended Cymbal, Triangle, Congas, Tambourine)". The keyboard percussion part is labeled "Mallet Percussion (Bells, Vibes, Xylophone)". The timpani part is labeled "Timpani (Mark Tree, Congas)". Arranger(s): This piece was arranged by Paul Murtha. Publisher: This piece was published by Hal Leonard Corporation. Series: This piece is part of the series "Hal Leonard Concert Band Series".    This item is in the Top 10% Bestseller list.    This product has a difficulty rating of 3 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets. How to purchase this item: To purchase "Duke Ellington In Concert", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail, fax or phone. Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges. Other Images: Front Cover Front Cover Image 1  (334kb) Conductor Score Conductor Score Page 1  (273kb) Conductor Score Page 2  (284kb) Conductor Score Page 3  (236kb) Conductor Score Page 4  (222kb) Instrumentation Instrumentation Page 1  (82kb) Parts Included: 1 - Full Score 1 - Piccolo in C 8 - Flute 2 - Oboe 2 - Bassoon 4 - 1st B Flat Clarinet 4 - 2nd B Flat Clarinet 4 - 3rd B Flat Clarinet 1 - E Flat Alto Clarinet 2 - B Flat Bass Clarinet 2 - 1st E Flat Alto Saxophone 2 - 2nd E Flat Alto Saxophone 2 - B Flat Tenor Saxophone 1 - E Flat Baritone Saxophone 3 - 1st B Flat Trumpet 3 - 2nd B Flat Trumpet 3 - 3rd B Flat Trumpet 2 - 1st Horn In F 2 - 2nd Horn In F 3 - 1st Trombone 3 - 2nd Trombone 2 - Baritone T.C. 2 - Baritone B.C. 4 - Tuba 1 - String Bass 2 - Keyboard Percussion 2 - 1st Percussion 2 - 2nd Percussion 1 - Timpani	Quick Search Manage My Account Log In (Optional) Track An Order Gift Certificates Free Downloads Make An Account Related Band Products It Don't Mean A Thing (If It Ain't Got That Swing) Caravan Caravan More ... Related Audio CD Products It Don't Mean A Thing (If It Ain't Got That Swing) Caravan Caravan More ... Related Karaoke CD Products It Don't Mean A Thing (If It Ain't Got That Swing) Caravan Caravan More ...

Complete song list for "Duke Ellington In Concert" - Band Set Sheet Music:

Take The "A" Train - Composer: Billy Strayhorn Don't Get Around Much Anymore - Composer: Duke Ellington and Bob Russell Mood Indigo - Composer: Duke Ellington, Irving Mills, and Albany Bigard Caravan - Composer: Duke Ellington, Juan Tizol, and Irving Mills It Don't Mean A Thing (If It Ain't Got That Swing) - Composer: Duke Ellington and Irving Mills

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Sketches On A Tudor Psalm - Concert Band Item number 8897255CC, $125.00 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

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