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Pirates Of The Caribbean - Part 3

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Pirates Of The Caribbean - Part 3
Pirates Of The Caribbean - Part 3 From Walt Disney Pictures' "The Pirates Of The Caribbean: The Curse Of The Black Pearl" (Full Score)
Item number 8895967CC, $5.95
Pirates Of The Caribbean - Part 3 (From Walt Disney Pictures' "The Pirates Of The Caribbean: The Curse Of The Black Pearl") - Marching Band
Item number 8895968CC
Regular Price: $60.95, Our Price: $36.57
You will save $24.38

Shiver me timbers! Take your audience on a journey with Jack Sparrow and Will Turner to rescue Elizabeth from the pirates of the cursed ship, the Black Pearl. Everyone is sure to enjoy this medley of "One Last Shot" and "He's A Pirate" from the 2003 blockbuster movie, "Pirates Of The Caribbean".

Technical Notes: The E flat baritone sax, B flat horn / flugelhorn, electric bass, and auxiliary percussion parts are optional. The baritone BC part can be used as an optional 2nd trombone part. The 1st mallet percussion part is for vibes and bells. The 2nd mallet percussion part is for xylophone and marimba.

Composer(s): This piece was composed by Klaus Badelt.

Arranger(s): This piece was arranged by Will Rapp and Michael Brown.

Publisher: This piece was published by Hal Leonard Corporation.

Series: This piece is part of the series "Hal Leonard Esprit Series".

   This product has a difficulty rating of 2-3 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets.
How to purchase this item: To purchase "Pirates Of The Caribbean - Part 3", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax.

Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges.
Other Images:
Front Cover
Front Cover Image 1
 (290kb)
Conductor Score
Conductor Score Page 1
 (194kb)
Conductor Score Page 2
 (210kb)
Conductor Score Page 3
 (154kb)
Conductor Score Page 4
 (158kb)
Instrumentation
Instrumentation Page 1
 (74kb)
Parts Included:
1-Full Score
16-Flute/Piccolo
16-B Flat Clarinet
8-E Flat Alto Saxophone
4-B Flat Tenor Saxophone
2-E Flat Baritone Saxophone
8-1st B Flat Trumpet
8-2nd B Flat Trumpet
4-B Flat Horn/Flugelhorn
8-French Horn
8-Trombone
4-Baritone T.C.
8-Baritone B.C.
6-Tuba
2-Electric Bass
2-Mallet Percussion 1
2-Mallet Percussion 2
6-Snare Drum
2-Quad Toms
4-Multiple Bass Drums
2-Cymbals
2-Auxiliary Percussion


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Related Band Products

Pirates Of The Caribbean - Part 3

Pirates Of The Caribbean - Part 2

Pirates Of The Caribbean (From Walt Disney Pictures' "Pirates Of The Caribbean: The Curse Of The Black Pearl")

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Related Audio CD Products

Pirates Of The Caribbean - Part 3

Pirates Of The Caribbean - Part 2

Pirates Of The Caribbean (From Walt Disney Pictures' "Pirates Of The Caribbean: The Curse Of The Black Pearl")

Complete song list for "Pirates Of The Caribbean - Part 3" - Band Set Sheet Music:

One Last Shot - Composer: Klaus Badelt
He's A Pirate - Composer: Klaus Badelt


 
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Sketches On A Tudor Psalm
Sketches On A Tudor Psalm - Concert Band
Item number 8897255CC
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This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor.

"Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910.

The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

 
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