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Rockin' On Top Of The World (From Warner Bros. Pictures' "The Polar Express")
Concert Band Music Marching/Pep Band Music Jazz Band Music Small Ensemble Music Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. Rockin' On Top Of The World (From Warner Bros. Pictures' "The Polar Express") Rockin' On Top Of The World (From Warner Bros. Pictures' "The Polar Express") (Full Score) Item number 8895281CC, $5.95 Rockin' On Top Of The World (From Warner Bros. Pictures' "The Polar Express") Item number 8895315CC Regular Price: $49.95, Our Price: $29.97 You will save $19.98 It is likely that most all of the members of your jazz ensemble are familiar with this song, and don't we all enjoy playing familiar music? The "Polar Express" pulled into a theater near you in 2004, and the story and music will live on in our hearts. "Rockin' On Top Of The World" was arranged by Roger Holmes for your young jazz ensemble. Product Format: Jazz Ensemble Composer(s): This piece was composed by Glen Ballard and Alan Silvestri. Arranger(s): This piece was arranged by Roger Holmes. Publisher: This piece was published by Hal Leonard Corporation. Series: This piece is part of the series "Hal Leonard Young Jazz Ensemble Series".    This product has a difficulty rating of 2-2.5 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets. How to purchase this item: To purchase "Rockin' On Top Of The World (From Warner Bros. Pictures' "The Polar Express")", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax. Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges. Other Images: Front Cover Front Cover Image 1  (800kb) Conductor Score Conductor Score Page 1  (167kb) Conductor Score Page 2  (211kb) Conductor Score Page 3  (213kb) Conductor Score Page 4  (198kb) Instrumentation Instrumentation Page 1  (327kb) Parts Included: 1 - Full Score 1 - 1st E Flat Alto Saxophone 1 - 2nd E Flat Alto Saxophone 1 - 1st B Flat Tenor Saxophone 1 - 2nd B Flat Tenor Saxophone 1 - E Flat Baritone Saxophone 1 - 1st B Flat Trumpet 1 - 2nd B Flat Trumpet 1 - 3rd B Flat Trumpet 1 - 4th B Flat Trumpet 1 - 1st Trombone 1 - 2nd Trombone 1 - 3rd Trombone 1 - 4th Trombone 1 - Bass 1 - Drums	Quick Search Manage My Account Log In (Optional) Track An Order Free Downloads Make An Account Related Band Products Michael Jackson - Man In The Mirror Michael Jackson - Man In The Mirror Michael Jackson - Man In The Mirror More ... Related Audio CD Products Michael Jackson - Man In The Mirror Michael Jackson - Man In The Mirror Michael Jackson - Man In The Mirror More ... Related Karaoke CD Products Michael Jackson - Man In The Mirror Michael Jackson - Man In The Mirror Michael Jackson - Man In The Mirror More ...

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Sketches On A Tudor Psalm - Concert Band Item number 8897255CC Regular Price: $137.95, Our Price: $82.77 You will save $55.18 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

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