Home	Shopping Cart		Contact	Search

Air (Dublinesque)
Concert Band Music Marching/Pep Band Music Jazz Band Music Small Ensemble Music Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. Air (Dublinesque) Air (Dublinesque) (Full Score) Item number 8894935CC, $7.50 Air (Dublinesque) Item number 8894936CC, $60.00 Billy Joel has been a top selling artist for many years, and now he has taken a new path in his career by composing for piano and wind ensembles. This work is an original of Joel's and has been arranged for your ensemble by Barbara Lambrecht. You will enjoy the piano part, rhythms, tempo changes, and everything else about this work. You will definitely feel the influence from Joel as you perform the work. Product Format: Concert Band Estimated Performance Time: 4:45 Technical Notes: The percussion 1 part is for suspended cymbal, snare drum, tambourine, crash cymbal, and bass drum. The percussion 2 part is for chimes, triangle, cabasa, and slapstick. The mallet percussion 1 part is for glockenspiel and temple blocks. The mallet percussion 2 part is for xylophone. The mallet percussion 3 part is for vibraphone. The mallet percussion 4 part is for marimba. The piano part is optional. Composer(s): This piece was composed by Billy Joel. Arranger(s): This piece was arranged by Barbara Lambrecht. Publisher: This piece was published by Hal Leonard Corporation. Series: This piece is part of the series "Hal Leonard Music For Symphonic Band Series".    This product has a difficulty rating of 4 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets. How to purchase this item: To purchase "Air (Dublinesque)", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail, fax or phone. Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges. Other Images: Front Cover Front Cover Image 1  (338kb) Conductor Score Conductor Score Page 1  (239kb) Conductor Score Page 2  (218kb) Conductor Score Page 3  (256kb) Conductor Score Page 4  (217kb) Instrumentation Instrumentation Page 1  (148kb) Parts Included: 1 - Full Score 4 - 1st Flute / Piccolo 4 - 2nd Flute 1 - 2nd Oboe 1 - 1st Oboe / English Horn 1 - 1st Bassoon 1 - 2nd Bassoon 4 - 1st B Flat Clarinet 4 - 2nd B Flat Clarinet 4 - 3rd B Flat Clarinet 2 - B Flat Bass Clarinet 2 - 1st E Flat Alto Saxophone 2 - 2nd E Flat Alto Saxophone 2 - B Flat Tenor Saxophone 1 - E Flat Baritone Saxophone 3 - 1st B Flat Trumpet 3 - 2nd B Flat Trumpet 3 - 3rd B Flat Trumpet 2 - 1st & 2nd Horn In F 2 - 3rd & 4th Horn In F 2 - 1st Trombone 2 - 2nd Trombone 2 - 3rd Trombone 2 - Baritone T.C. 2 - Baritone B.C. 4 - Tuba 1 - String Bass 1 - Mallet Percussion 1 1 - Mallet Percussion 2 1 - Mallet Percussion 3 2 - Mallet Percussion 4 2 - 1st Percussion 2 - 2nd Percussion 1 - Timpani 1 - Piano	Quick Search Manage My Account Log In (Optional) Track An Order Gift Certificates Free Downloads Make An Account Related Band Products Air (Dublinesque) Jazz Combo Pak #14 The Eighties More ... Related Audio CD Products Air (Dublinesque) Jazz Combo Pak #14 The Eighties More ... Related Karaoke CD Products Air (Dublinesque) Jazz Combo Pak #14 The Eighties More ...

Another product you might enjoy...

Sketches On A Tudor Psalm - Concert Band Item number 8897255CC, $125.00 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

PianoSpot.com, FluteSpot.com, ClarinetSpot.com, SaxSpot.com, TrumpetSpot.com, TromboneSpot.com, BassoonSpot.com OboeSpot.com, HornSpot.com, ViolinSpot.com, DrumSpot.com, GuitarSpot.com, HarmonicaSpot.com, RecorderSpot.com DulcimerSpot.com, VocalSpot.com, KaraokeSpot.com, AudioCDSpot.com, MusicGiftSpot.com, BandSpot.com Copyright © 2010 Encore Music Company, Inc.