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Wolfgang Amadeus Mozart - Concerto For Flute Choir (Based On Horn Quintet In E Flat Major, K. 407)

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Wolfgang Amadeus Mozart - Concerto For Flute Choir (Based On Horn Quintet In E Flat Major, K. 407)



Item number 8893858CC
Regular Price: $43.95, Our Price: $26.37
You will save $17.58

Product Format: Flute Ensemble

Technical Notes: Parts are included for both a solo instrument (parts provided for both solo flute or solo alto flute, you choose which one to use) and for the quartet accompaniment to the solo instrument. In case you only have one alto flutist, but extra regular flutists, a part is also provided which substitutes regular flute for the alto flute 1 part.

Arranger(s): This piece was arranged by David H. Bailey.

Publisher: This piece was published by Falls House Press.

   This product has a difficulty rating of 3 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets.
How to purchase this item: To purchase "Wolfgang Amadeus Mozart - Concerto For Flute Choir (Based On Horn Quintet In E Flat Major, K. 407)", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax.

Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges.
Other Images:
Front Cover
Front Cover Image 1
 (800kb)
Conductor Score
Conductor Score Page 1
 (122kb)
Conductor Score Page 2
 (114kb)
Conductor Score Page 3
 (102kb)
Conductor Score Page 4
 (108kb)
Parts Included:
1-Full Score
1-Solo Flute
1-1st Flute
1-1st Alto Flute
1-2nd Alto Flute
1-Bass Flute


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This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor.

"Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910.

The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

 
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