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Syncopation Studies For Band

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Syncopation Studies For Band
Syncopation Studies For Band - Concert Band (Full Score)
Item number 8893420CC, $15.95
Syncopation Studies For Band - Concert Band
Item number 8893421CC, $74.00

This great new entry into the comprehensive CMP Essentials of Musicianship series of concept-specific ensemble studies will help you have every member of your group reading and interpreting syncopation properly. It is one thing to play the rhythm in a way that is essentially metrically correct. It is quite another to play it correctly and also imbued with style. Bolero, March, Ragtime, Nocturne, Joplin, Debussy...this wide-ranging educational tool allows you, the director, to bring your ensemble to a new and deeper understanding of how rhythm works in music. A unique teaching tool!
 
Format: BOOK W/CD
Publisher: Curnow Music
Category: Band/Orchestra/Ensemble
Series: Curnow Concert Band Full Set
Voicing: Score & Parts
Composer: James Curnow

Product Format: Concert Band

Technical Notes: The convertible bass line part is labeled "Flexible Bass Line". The timpani part is labeled "Timpani (2 or 3)". The mallet percussion part is for bells, xylophone and optional vibes. The 1st percussion part is for triangle, snare drum, bass drum and castanets. The 2nd percussion part is for triangle, tambourine, crash cymbal, suspended cymbal and hi-hat cymbal.

Composer(s): This piece was composed by James Curnow.

Publisher: This piece was published by Curnow Music Press.

Series: This piece is part of the series "Curnow Essentials Of Musicianship Series".

   This product has a difficulty rating of 2-4 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets.
How to purchase this item: To purchase "Syncopation Studies For Band", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail, fax or phone.

Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges.
Other Images:
Front Cover
Front Cover Image 1
 (800kb)
Conductor Score
Conductor Score Page 1
 (179kb)
Conductor Score Page 2
 (147kb)
Conductor Score Page 3
 (188kb)
Conductor Score Page 4
 (154kb)
Instrumentation
Instrumentation Page 1
 (172kb)
Descriptive Page
Descriptive Page 1
 (242kb)
Descriptive Page 2
 (183kb)
Descriptive Page 3
 (226kb)
Parts Included:
1-Full Score
8-Flute
2-Oboe
2-Bassoon
6-1st B Flat Clarinet
6-2nd B Flat Clarinet
1-E Flat Alto Clarinet
2-B Flat Bass Clarinet
2-1st E Flat Alto Saxophone
2-2nd E Flat Alto Saxophone
2-B Flat Tenor Saxophone
1-E Flat Baritone Saxophone
4-1st B Flat Trumpet
4-2nd B Flat Trumpet
4-French Horn
3-1st Trombone
3-2nd Trombone
2-Euphonium T.C.
2-Euphonium B.C.
4-Tuba
1-Convertible Bass Line
1-Mallet Percussion
2-1st Percussion
2-2nd Percussion
1-Timpani


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Complete song list for "Syncopation Studies For Band" - Band Set Sheet Music:

Fanfare (Syncopation Studies For Band) - Composer: James Curnow - ©2008
Nocturne (Syncopation Studies For Band) - Composer: James Curnow - ©2008
Bolero (Syncopation Studies For Band) - Composer: James Curnow - ©2008
March (Syncopation Studies For Band) - Composer: James Curnow - ©2008
Waltz (Syncopation Studies For Band) - Composer: James Curnow - ©2008
Ragtime (Syncopation Studies For Band) - Composer: James Curnow - ©2008
The Entertainer (Syncopation Studies For Band) - Composer: Scott Joplin - ©2008
Golliwogg's Cakewalk (Syncopation Studies For Band) - Composer: Claude Debussy - ©2008


 
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Sketches On A Tudor Psalm - Concert Band
Item number 8897255CC, $125.00

This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor.

"Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910.

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