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Michael Jackson - The King Of Pop
Concert Band Music Marching/Pep Band Music Jazz Band Music Small Ensemble Music Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. Michael Jackson - The King Of Pop The King Of Pop - Concert Band (Full Score) Item number 8892698CC, $8.95 The King Of Pop - Concert Band Item number 8892699CC Regular Price: $55.95, Our Price: $33.57 You will save $22.38 Featuring three key songs from Michael Jackson's diverse musical career, this concise and easy to learn medley features Man in the Mirror, I'll Be There and Thriller.   Format: Softcover Category: Band/Orchestra/Ensemble Series: Discovery Plus Concert Band Voicing: Score & Parts Performing Artist: Michael Jackson Arranger: Johnnie Vinson Band Difficulty: 2 Product Format: Concert Band Estimated Performance Time: 4:45 Technical Notes: The 1st percussion part is for drum set (optional). The 2nd percussion part is for small triangle, shaker, tambourine and cowbell. The mallet percussion part is for bells and vibraphone.   The song "The King Of Pop" is a medley made from these songs: "Man In The Mirror," "I'll Be There" and "Thriller." Arranger(s): This piece was arranged by Johnnie Vinson. Publisher: This piece was published by Hal Leonard Corporation. Series: This piece is part of the series "Hal Leonard Discovery Plus Band Series".    This product has a difficulty rating of 2 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets. How to purchase this item: To purchase "Michael Jackson - The King Of Pop", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax. Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges. Other Images: Front Cover Front Cover Image 1  (302kb) Conductor Score Conductor Score Page 1  (191kb) Conductor Score Page 2  (160kb) Conductor Score Page 3  (173kb) Conductor Score Page 4  (200kb) Instrumentation Instrumentation Page 1  (248kb) Parts Included: 1 - Full Score 8 - Flute 2 - Oboe 2 - Bassoon 4 - 1st B Flat Clarinet 4 - 2nd B Flat Clarinet 4 - 3rd B Flat Clarinet 1 - E Flat Alto Clarinet 2 - B Flat Bass Clarinet 2 - 1st E Flat Alto Saxophone 2 - 2nd E Flat Alto Saxophone 2 - B Flat Tenor Saxophone 1 - E Flat Baritone Saxophone 4 - 1st B Flat Trumpet 4 - 2nd B Flat Trumpet 4 - French Horn 4 - Trombone 2 - Baritone T.C. 2 - Baritone B.C. 4 - Tuba 2 - Convertible Bass Line 2 - Mallet Percussion 2 - 1st Percussion 2 - 2nd Percussion 1 - Timpani	Quick Search Manage My Account Log In (Optional) Track An Order Free Downloads Make An Account Related Band Products Michael Jackson - Man In The Mirror Michael Jackson - Man In The Mirror Michael Jackson - Human Nature More ... Related Audio CD Products Michael Jackson - Man In The Mirror Michael Jackson - Man In The Mirror Michael Jackson - Human Nature More ... Related Karaoke CD Products Michael Jackson - Man In The Mirror Michael Jackson - Man In The Mirror Michael Jackson - Human Nature More ...

Complete song list for "Michael Jackson - The King Of Pop" - Band Set Sheet Music:

The King Of Pop - ©1987

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Sketches On A Tudor Psalm - Concert Band Item number 8897255CC Regular Price: $137.95, Our Price: $82.77 You will save $55.18 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

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