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Three Czech Folk Songs
Concert Band Music Marching/Pep Band Music Jazz Band Music Small Ensemble Music Method Books Theory Books, Staff Paper, Reference Books Band Director Accessories Instructional Videotapes and DVD's Solo Instrumental Recordings Small Ensemble Recordings Large Ensemble Recordings	Click on the image above to see a larger version. Three Czech Folk Songs Three Czech Folk Songs - Concert Band (Full Score) Item number 8892022CC, $8.95 Three Czech Folk Songs - Concert Band Item number 8892023CC Regular Price: $55.95, Our Price: $39.17 You will save $16.78 This arrangement for flexible instrumentation is a setting of three traditional Czech melodies displaying a wide range of moods and styles. Includes: Walking at Night; Meadows Green and Spring, The Madcap.   Category: Band/Orchestra/Ensemble Series: FlexBand Voicing: Score & Parts Composer: Johnnie Vinson Band Difficulty: 2-3 Product Format: Concert Band Estimated Performance Time: 5:10 Technical Notes: The 1st percussion part is for snare drum, bass drum and crash cymbal. The 2nd percussion part is for suspended cymbal, triangle, tambourine and woodblock. The mallet percussion part is for bells and xylophone. Composer(s): This piece was composed by Johnnie Vinson. Publisher: This piece was published by Hal Leonard Corporation. Series: This piece is part of the series "Hal Leonard Flex-Band Series".    This product has a difficulty rating of 2-3 on a scale of 1 through 6, with 6 being hardest. Click here to see how we grade our band sets. How to purchase this item: To purchase "Three Czech Folk Songs", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax. Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges. Other Images: Front Cover Front Cover Image 1  (800kb) Conductor Score Conductor Score Page 1  (241kb) Conductor Score Page 2  (201kb) Conductor Score Page 3  (221kb) Instrumentation Instrumentation Page 1  (370kb) Parts Included: 1 - Full Score 8 - Flute 2 - Oboe 4 - B Flat Clarinet 12 - B Flat Clarinet / B Flat Trumpet 2 - B Flat Bass Clarinet 2 - E Flat Alto Saxophone 2 - E Flat Alto Saxophone / E Flat Alto Clarinet 2 - B Flat Tenor Saxophone 4 - B Flat Tenor Saxophone / Baritone T.C. 2 - E Flat Baritone Saxophone 4 - French Horn 8 - Trombone/Baritone B.C./Bassoon 2 - Baritone T.C. 4 - Tuba 2 - String Bass 2 - Mallet Percussion 2 - 1st Percussion 2 - 2nd Percussion 1 - Timpani 10 - Violin 4 - Viola 4 - Cello	Quick Search Manage My Account Log In (Optional) Track An Order Free Downloads Make An Account Related Band Products Three Czech Folk Songs Suite For Winds And Percussion (Remembering Daniel Pratt) New Forest March More ...

Complete song list for "Three Czech Folk Songs" - Band Set Sheet Music:

Walking At Night (Three Czech Folk Songs) - Composer: Johnnie Vinson - ©1992 Meadows Green (Three Czech Folk Songs) - Composer: Johnnie Vinson - ©1992 Spring, The Madcap (Three Czech Folk Songs) - Composer: Johnnie Vinson - ©1992

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Sketches On A Tudor Psalm - Concert Band Item number 8897255CC Regular Price: $137.95, Our Price: $82.77 You will save $55.18 This piece is dedicated to the Sam Houston State University Symphonic Band in Huntsville, Texas with Ralph L. Mills, conductor. "Sketches On A Tudor Psalm," composed in 1971, is based on the sixteenth century setting of the Second Psalm by Thomas Tallis. The original version was in the Phrygian mode with the melody in the tenor voice. A modern adaptation is still used today in Anglican services. Its popularity is evidenced by its employment by Ralph Vaughan Williams for the basis for his Fantasia for String Orchestra in 1910. The introduction sets the harmonic character by emphasizing the juxtaposition of major and minor triads. The theme is first presented by solo alto saxophone, continued in horns, and followed by a fully harmonized version from the brass. The variations begin to unfold in an Allegro section with a melody in the clarinets which was constructed from the retrograde of the theme. Subsequently, fragments of the theme are selected for rhythmic and melodic transformation. Finally, the opening harmonic sequence returns in highly punctuated rhythms to herald the recapitulation of the theme beginning in the low woodwinds and culminationg in a fully scored setting of the climactic measures. A coda continues the development as the music builds to a triumphal close on a major chord.

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